#Svobodays : Technologies avancées et scénographie 2.0
▶Summary
With the digital transition and the development of advanced technologies, the performing arts industry of the 21st century is equipped with ever more innovative tools, which entail major investmen...
▶Objectives
One of the main aims of this project was to take stock of the current situation, by looking at schools in ten European countries that provide training in scenography and stage technology, and to examine how they are tackling these changes. As most schools are poorly equipped in terms of advanced technologies, we also wanted to test the pedagogical potential of miniaturized equipment on the scale of a scale model, enabling students to learn how to use them to explore their creative potential. The project's cross-cutting aim was to encourage exchanges between equivalent schools in Europe, to initiate a network of exchanges of ideas and best practices between teachers, and to foster intercultural exchanges by uniting students from different countries around the legacy of scenographer Josef Svoboda, a pioneer of the advanced technologies we use today. We also wanted this project to be aimed not only at art school students, but also at young non-students with guidance difficulties, to introduce them to the technical professions of the performing arts, and inspire them to start or resume training for a career in stage management.